HackPolitik

HackPolitik follows the online personas of the main players in Anonymous and Lulzsec and how they play between immature mischief-making and true acts of political activism. The music and choreography is a physical interpretation of the inherently abstract interactions that can only occur over the internet.

 

// choreography
// art direction

“Inspired by the online antics of the activist collective Anonymous, Kate Ladenheim has created a sexy and dangerous world, enhanced by Peter Van Zandt Lane’s original score, which explores anarchy and identity in a refreshingly relevant way.”

The New York Times

In June of 2011, a 28 year-old, unemployed foster parent and high-school dropout living in the Riis public housing district in the Lower East Side of Manhattan was arrested by the FBI. His charges included multiple counts of conspiracy to engage in computer hacking, computer hacking in furtherance of fraud, conspiracy to commit access device fraud, conspiracy to commit bank fraud, and aggravated identity theft. Hector Xavier Monsegur faced up to 124 years in prison.

On the Internet, he was known as Sabu, a key figure in a series of politically driven cyber- attacks by the hacker collective known as Anonymous. In December of 2010, thousands of hacktivists attacked the websites of some of the world’s largest financial institutions to avenge WikiLeaks. In following attacks protesting global government transparency and accountability, they infiltrated the governments of Tunisia, Libya and Egypt, becoming a critical force in supporting the Arab Spring.

HackPolitik is a surrealist investigation, through music and dance, of how we engage politics through technology in the 21st century. The plot of the piece is based on true events. It explores the thin line between activism and anarchy, anonymity and ego, gender identity and personality. HackPolitik is intensely character-driven, following the online personas of the main players in Anonymous and Lulzsec and how they play between immature mischief making and true political activism. All of the choreography is a physical interpretation of the inherently abstract interactions that can only occur over the Internet.

Or in the words of Topiary himself:

“Welcome to the underbelly of society, the anarchistic stream-of-thought nebula that seeps its way into the mainstream world- your world- more and more every day. You cannot escape it and you cannot anticipate it. It is the nightmare on the edge of your dreams and the ominous thought that claws its way through your online life like a binding virtual force, disregarding your philosophies and feasting on your emotions. Prepare to enter the hivemind, motherfuck.”
—Jake “Topiary” Davis.

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Selected Press

REVIEW // Dance Production Brings Anonymous to the Stage, Forbes, November 2013

REVIEW // HackPolitik Krackles, The Boston Music Intelligencer, November 2013

PREVIEW // Arts Spotlight: The World Premiere of HackPolitik, Cultivating Culture, November 2013

INTERVIEW // DDoS as Dance: Anonymous Hits the Ballet, CNET, November 2013

PREVIEW // Dancing about Technology in HackPolitik, Boston Magazine, November 2013

INTERVIEW // The Last Place You Expected Anonymous: The Ballet, The Daily Dot, October 2013

REVIEW // Impressions of: COLLABFEST, The Dance Enthusiast, September 2013

 

Credits & Production History

Choreography: Kate Ladenheim
Music: Peter Van Zandt Lane
Conductor: Lidiya Yankovskaya
Production Design: Joey Frangieh
Lighting Design: Stephen Petrilli
Performers: Michael Abbatiello (Aaron Barr, Ensemble), Shay Bares (Laurelai), David Glista (Topiary), Catherine Jaeger (Anon), Chelsea Robin Lee (Kayla), Hoor Malas/Catherine Jaeger (Anon) Matthew Ortner (Sabu), Breanna Short (Tflow, Anon), Brittany Testone (The Jester), & Ayla Weisz (Anon)

Choreography includes creative contributions from the performers.

HackPolitik was commissioned and its production made possible by the Juventas New Music Ensemble. It premiered in November 2013 at the Boston University Dance Theatre, and in New York City at HERE Arts Center as part of HERE’s Sublet Series.

Additional performances occurred as part of the Breaking Glass Emerging Female Choreographer Initiative, DanceNOW RAW, The CURRENT Sessions, Triskelion Arts’ COLLABfest, and at Purpose Fireside in New York, NY.

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